Monthly Archives: July 2024

The Shoah in Film: A Valuable Contribution to the Historiography of the Holocaust and a Glimpse into the Shuttered Voices of the Shoah

Posted on July 9, 2024 by Antonia Tejeda Barros

«The Shoah in Film: A Valuable Contribution to the Historiography of the Holocaust and a Glimpse into the Shuttered Voices of the Shoah». Historiografías, revista de historia y teoría, nº 27, junio de 2024, pp. 7-31 (Universidad de Zaragoza, España). … Continue reading →

Posted in Antisemitism, Auschwitz, Belzec, Chelmno, History, Holocaust, Love Gets a Room, Shoah, Sobibor, Treblinka, Warsaw Ghetto | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Stravinsky’s Poétique musicale: The Composer as Homo faber. Antisemitism, Le Sacre du printemps, and Adorno’s Critique (Arte, entre paréntesis, MX)

Posted on July 6, 2024 by Antonia Tejeda Barros

«Stravinsky’s Poétique Musicale: The Composer As Homo Faber. Antisemitism, Le Sacre Du Printemps, and Adorno’s Critique». Arte, entre paréntesis, vol. 1, nº 18, junio de 2024, pp. 18-33 (Universidad de Sonora, México). Antonia Tejeda Barros, Madrid, 6 de julio 2024

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