Stravinsky’s Poétique musicale: The Composer as Homo faber. Antisemitism, Le Sacre du printemps, and Adorno’s Critique (Arte, entre paréntesis, MX)

Posted on July 6, 2024 by Antonia Tejeda Barros 
«Stravinsky’s Poétique Musicale: The Composer As Homo Faber. Antisemitism, Le Sacre Du Printemps, and Adorno’s Critique». 
Arte, entre paréntesis, vol. 1, nº 18, junio de 2024, pp. 18-33 (Universidad de Sonora, México). 
Antonia Tejeda Barros, Madrid, 6 de julio 2024

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About Antonia Tejeda Barros

Mother of three, Holocaust researcher (Tiergarten 4 Association, Berlin), MA in Holocaust Studies (Touro University Berlin), Doctor in Philosophy (UNED, Madrid), MA in Philosophy (UNED), Bachelor of Music (Early Music, Recorder and Pedagogy, Koninklijk Conservatorium, The Hague), fibromyalgia warrior, and Woody Allen and Golda Meir fan
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