Stravinsky’s Poétique musicale: The Composer as Homo faber. Antisemitism, Le Sacre du printemps, and Adorno’s Critique (Arte, entre paréntesis, MX)

Posted on July 6, 2024 by Antonia Tejeda Barros 
«Stravinsky’s Poétique Musicale: The Composer As Homo Faber. Antisemitism, Le Sacre Du Printemps, and Adorno’s Critique». 
Arte, entre paréntesis, vol. 1, nº 18, junio de 2024, pp. 18-33 (Universidad de Sonora, México). 
Antonia Tejeda Barros, Madrid, 6 de julio 2024

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About Antonia Tejeda Barros

Mother of three, sister, wife, Holocaust researcher (Tiergarten 4 Association, Berlin), Doctor in Philosophy (UNED, Madrid, cum laude), MA in Philosophy (UNED, cum laude), Bachelor of Music (Early Music, Recorder and Pedagogy, Koninklijk Conservatorium, The Hague), fibromyalgia warrior, and Woody Allen & Golda Meir fan
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